It's about time: Mac OS X for Unix Geeks arrives on the scene none too soon for UNIX aficionados who, having heard that the latest editions of Mac OS are based on a UNIX variant, want to see how the platform compares to more venerable versions of the eminently configurable operating system. This book highlights some key differences between the Darwin environment and more conventional UNIXs, enabling people with UNIX experience to take advantage of it as they learn the Mac OS X way of doing things at the command line.

This slim volume neither aims to teach its readers UNIX nor introduces them to the Mac, but rather to show how Apple has implemented UNIX. It's a fast read that assumes—as the title implies—rather a lot of UNIX knowledge. With that requirement satisfied and this book in hand, you're likely to discover aspects of Aqua much more quickly than you otherwise would have.

The authors spend lots of time explaining how administrative tasks—such as managing groups, users and passwords—are handled in the Mac OS environment. They document netinfo fully, and call attention to its limitations (such as its inability to create home directories for users) by explaining how to do the job on the command line. They also cover C programming in the Darwin universe at greater length than any other book, providing explicit instructions for such important tasks as creating header files and linking static libraries. A guide to the command line (they call the reference section "The Missing Manpages") provides good value at this book's conclusion. —David Wall, Amazon.com

"Every summer Lin Kong returned to Goose Village to divorce his wife, Shuyu." Like a fairy tale, Ha Jin's masterful novel of love and politics begins with a formula—and like a fairy tale, Waiting uses its slight, deceptively simple framework to encompass a wide range of truths about the human heart. Lin Kong is a Chinese army doctor trapped in an arranged marriage that embarrasses and repels him (Shuyu has country ways, a withered face, and most humiliating of all, bound feet. Nevertheless, he's content with his tidy military life, at least until he falls in love with Manna, a nurse at his hospital. Regulations forbid an army officer to divorce without his wife's consent—until 18 years have passed, that is, after which he is free to marry again. So, year after year Lin asks his wife for his freedom and year after year he returns from the provincial courthouse: still married, still unable to consummate his relationship with Manna. Nothing feeds love like obstacles placed in its way—right? But Jin's novel answers the question of what might have happened to Romeo and Juliet had their romance been stretched out for several decades. In the initial confusion of his chaste love affair, Lin longs for the peace and quiet of his "old rut". Then, killing time becomes its own kind of rut and in the end, he is forced to conclude that he "waited 18 years just for the sake of waiting".

There's a political allegory here, of course, but it grows naturally from these characters' hearts. Neither Lin nor Manna are especially ideological and the tumultuous events occurring around them go mostly unnoticed. They meet during a forced military march and have their first tender moment during an opera about a naval battle (While the audience shouts, "Down with Japanese Imperialism!" the couple holds hands and gaze dreamily into each other's eyes). When Lin is in Goose Village one summer, a mutual acquaintance rapes Manna; years later, the rapist appears on a TV report titled "To Get Rich is Glorious" after having made thousands in construction. Jin resists hammering ideological ironies like these home, but totalitarianism's effects on Lin are clear:

Let me tell you what really happened, the voice said. All those years you waited torpidly, like a sleepwalker, pulled and pushed about by others' opinions, by external pressure, by your illusions, by the official rules you internalized. You were misled by your own frustration and passivity, believing that what you were not allowed to have was what your heart was destined to embrace.

Ha Jin himself served in the People's Liberation Army, and in fact left his native country for the US only in 1985. That a non-native speaker can produce English of such translucence and power is truly remarkable—but really, his prose is the least of the miracles here. Improbably, Jin makes an unconsummated 18-year love affair loom as urgent as political terror or war, while history-changing events gain the immediacy of a domestic dilemma. Gracefully phrased, impeccably paced, Waiting is the kind of realist novel you thought was no longer being written. —Mary Park

In The Bridegroom, a vibrant collection of 12 stories, Ha Jin returns to Muji City, post-Cultural Revolution, where the confusions and excitements of transitions great and small spark off unpredictable consequences. These upheavals are seen through the toings and froings of everyday men and women, arrested on trumped-up charges, applying for larger apartments, waiting to see an old flame, trying to lure a husband and daughter to New York. Sharp comeuppances and the little cruelties on which the world turns—folks made fools of by fate or by other folk—emerge from writing that is deceptively unadorned, unsentimental, as forthright as his wonderfully delineated characters. What marks out these stories is Ha Jin's quiet, sly humour and an unemphatic, but compassionate sense of the absurd.

In "Alive", after a terrible earthquake, the Form New Families movement urges people to remarry, and at the dour celebration, 21 couples sing out "Even My Parents are Not as Dear as the Party and Chairman Mao". In the title story, the homely Beina has managed to carry off Baowen, the handsomest man in the sewing machine factory. And even if she is still a virgin after eight months, "I don't have to worry about those shameless bitches in our factory. He doesn't bother to give them a look. He'll never have a lifestyle problem." But his lifestyle problem is his homosexuality in the eyes of those who ensnare him: "What a wonderful husband he could have been were he not sick", muses his father-in-law.

The hopes and bewilderments of a world in which East increasingly meets West are affectionately turned into small treasures in this fine collection. Ha Jin's novel Waiting won the National Book Award in the United States (the author has lived there since leaving China in 1985) and two earlier collections of short stories also garnered impressive awards and praise. Ruth Petrie