![]() Layers of mystery wrap Planetary: All over the World like rice candy. Follow the enigmatic heroes Jakita Wagner, Elijah Snow, and the Drummer as they excavate the secret history of the world from its wealth of bizarre happenings. Though the characterization isn't sparklingly brilliantthe "insane" Drummer behaves more like the A-Team's Murdock than a believable madmanthe stories are both broad and deep, exploring a web of conspiracies and shadowy superheroes that manipulate and "protect" our world. Clever retellings of primal comics myths are interlaced with X-Files-esque secret government tales, and they drive the reader back and forth to collate evidence; the characters can't do all the work. Illustrator John Cassaday mirrors Warren Ellis's script from circumspect to sublime, befitting the best successor yet to the pulp comics of the 1940s. Rob Lightner ![]() Are we ready for yet another take on superhero morality? Let's hope so, because The Authority: Relentless retools old ideas for a new century. Warren Ellis has his heroes think globally as they kick butt locally, stopping or slowing down to consider how they can use their powers to "make the world a better place." How he can pull this off in our oh-so-ironic age is an artistic mystery, but the results are clear: superheroes with believable personalities and community spirit. Two story arcs, each encompassing terror and evil on a global scale, pit the group of seven against armies of superhumans dispatched in scenes reminiscent of the best action movies. Many of the characters from the older Stormwatch series reappear here, and fans will be pleased to learn that Ellis has, if anything, improved his depth and storytelling prowess. Bryan Hitch's penciling, Paul Neary's inking, and Laura Depuy's coloring are all equally responsible for the gloriously lovely artworkfrom interdimensional spaceships to dismembered spinal cords, they make saving the world beautiful. Rob Lightner ![]() It's no wonder he hates it here. Spider Jerusalem, journalist and hero of sorts in Warren Ellis' Transmetropolitan, wades through a sewer of poverty and high-tech despair daily in his efforts to understand and report on America. In The New Scum, Ellis contrasts the powerful, in the form of presidential candidates, with the powerless, who are begging and hustling on the streets. The satire is savage and rarely subtle, but the author takes care to show some human warmth lest the comic descend into the nihilism it warns against. The plot, largely secondary to the characters and background events, focuses loosely on Jerusalem's assignment to interview the two candidates, each psychotic and unfit for any office. His bodyguard and personal assistant, meanwhile, discover the terrors of pleasure in a post-nanotech world with unlimited credit. The election-eve climax fully captures the anxiety and depression that come from having no real choice in matters of great importance. Either Ellis or his creation deserves a Pulitzer. Rob Lightner ![]() Are we ready for yet another take on superhero morality? Let's hope so, because The Authority: Relentless retools old ideas for a new century. Warren Ellis has his heroes think globally as they kick butt locally, stopping or slowing down to consider how they can use their powers to "make the world a better place." How he can pull this off in our oh-so-ironic age is an artistic mystery, but the results are clear: superheroes with believable personalities and community spirit. Two story arcs, each encompassing terror and evil on a global scale, pit the group of seven against armies of superhumans dispatched in scenes reminiscent of the best action movies. Many of the characters from the older Stormwatch series reappear here, and fans will be pleased to learn that Ellis has, if anything, improved his depth and storytelling prowess. Bryan Hitch's penciling, Paul Neary's inking, and Laura Depuy's coloring are all equally responsible for the gloriously lovely artworkfrom interdimensional spaceships to dismembered spinal cords, they make saving the world beautiful. Rob Lightner |